One instrument :
- Suite caféinée for piano. 16'. Edited.
- Aubade for violin. 4'. Edited.
- Aubade for viola. 4'. Edited.
- Aubade for cello. 4'. Edited.
- Pour un matin plein d’entrain for flute. 6'.
- Le soupir de la vache for double bass saxophone. 11'.
- Cappuccino for accordion. 5'. Edited.
- Source, postlude for organ. 6'. Edited.
One instrument and electronics :
- Nekamà for electric guitar and electronics. 8' 30''.
Two instruments :
- Contes de la pluie et du soleil for cello and piano. 13'. Edited.
- Passacaille for two harpsichords. 9'. Edited.
- Ombres for cello and bass clarinet. 4'.
- Jeux de harpes for two harps. Study piece. 8'. Edited.
Three instruments :
- Danse for oboe, alto and bassoon. 4'.
- Récréation for oboe, alto and bassoon. 11'.
- Quelques bruits d’air for flute, clarinet and double bass saxophone. 5'.
Four instruments :
- Le chant de la nuit for flute, clarinet, saxophone and cello. 30'.
Five instruments :
- Suitounette for flute, clarinet, trombone, viola and double bass. 5'.
Vocal ensemble and instruments :
- Trois nocturnes for five voices (SATTB) and five Renaissance-instruments (SATTB), texts from the book of Ecclesiastes. Can be played by modern instruments. Edited. 18’.
- Source for choir and organ. Edited. 12’.
- In Rosa Primula for solo soprano, female choir and organ. 18’.
Vocal Ensemble :
- Le jeu de la paume et du plat for choir (SSAATBB), poem by Joël Gayraud. 9'.
- Ledigkeit for mixed choir, poems by Angelus Silesius. Edited. 9’.
- Doncques ne craignons plus de faire ce voyage or four voices (SATB), poem by Jean-Baptiste Chassignet. 6’.
- Confitebor for six voices (SMATBB). 6’.
- Libero me for double mixed choir. 6’.
- Un matin for mixed choir. 4’.
- Le chemin de lumière for six female voices (each plays one percussion). 17’.
- Un amour for four voices (each plays one percussion). 4’.
- Fabulette for six voices, poem by Jean de La Fontaine. 4’.
- My Soul's at liberty for six voices (SSMTBB), poems by Emily Dickinson. 12'.
Solo voice and instruments :
- Ce corps for soprano and guitar, poems by Andrée Chedid. 13'.
- In Rosa Primula for soprano, female choir and organ (or 2 sopranos and organ). 18'.
- A nos ancêtres … à nos enfants for soprano, balafon, viola da gamba, harpsichord and chamber organ. Composed with Moussa Hema.
- Le tombeau de Théophile for tenor, baritone, two violins, cello and harpsichord, poems by Théophile de Viau. Edited. 20'. Edité.
- Là où je passe for soprano, alto saxophone, tenor saxophone, electric guitar, marimba and contrabass, text by Benoit Richter. 4'30''.
- Messe for soprano, recorder (english flute), violin, cello, harpsichords et organ. 50'. This work is unavailable at the moment.
- Matar, no te mataria for soprano and flute. 11' 30''.
- Au matin le soir for soprano, alto saxophone, tenor saxophone, electric guitar, marimba and contrabass, text by Benoit Richter. 9' 30''.
Solo voice and electronic :
- Vivante morte éblouie for soprano and electronic, text by Albert Cohen. 16'.
Instrumental ensemble :
- Le rêve de l'homme-oiseau for solo accordion and eight instruments. 13'.
- Marche amiénoise, ambulatory music for saxophone ensemble or wind ensemble. 3'10''.
Orchestra :
- Passage for orchestra. 10’.
- Rivages for orchestra. 9’.
Solo voice, choir and instruments :
- Le premier rêve de Martin-Luther King oratorio for solo tenor and baritone, mixed choir, four saxophones and four percussionists. Booklet by the composer. 55’.
Electroacoustic :
- Sonos 1. 2'40''.
- Sonos 2. 4'20''.
- Sonos 3. 3'41''.
- Sonos 4. 3'25''.